He looks at me and I panic. I don't know what to do, or why I said
that. The words flew out of my mouth; I
didn't have any control over them. With
a few seconds of remorse, I back away a few steps, keeping my eyes on him,
watching his expression remain. My
defenses begin to rise again when he races towards me, placing his hands
against my chest to push me; I grabbed his arm and hold tight.
"Are you
done, tough guy?" I grimace, he nods,
turning red and not looking at me.
"Look, I didn't mean it, ok?"
Again he nodded. I let go of his
arm and push him away in the same movement, causing him to lose balance and
almost falling. He takes hold of his
arm and looks at me.
"What the
hell, Roger? Why the hell would you say
something like that?" He straightens
his glasses and goes back to caressing his arm.
"I said I
didn't mean it." I go over and take his
arm gently. Where my grip was, has now
turned red against his pale skin. "I'm
sorry, I didn't mean…" He rips his arm away.
"Roger, why
did you say that, and I don't buy that bullshit that you didn't mean it. You said it, which means you must have
thought about it."
"No, I
haven't, I swear." Not consciously
anyway, maybe in the back of my mind.
I haven't allowed letting myself think about getting high, all those
times I fought with Mimi about it, I never really considered doing it
myself. Even that first night she and I
met, when she tempted me with her stash, I only thought about it for a split
second. But that small fraction of time
I have dwelled. How easy would it be
for me to go back? All it would take is
a sexy woman in tight clothes? Then I
remember, I didn't take her up on her offer, I threw the stash back at her, and
I forced her out the door. Not because
I was afraid to get involved with her, but because Mimi knew my weakness, and
the look she gave me as she waved that bag in front of me was the same one
April used to give me all the time when she scored. I felt powerless and vulnerable, and mad that I was letting her
get to me.
"Roger, I
don't believe you, how could you not think of it?" Mark's face is so full of compassion and understanding, I wonder
if he was reading my mind.
"Let's not
talk about it anymore, ok? I can't
deal." I pick up my Fender and start
tuning it. Mark picks up his camera and
points it towards me.
"Zoom in on
the songwriter, hiding behind his guitar."
I look up
and snarl at the camera, "You're one to talk Mr. Cameraman. Why don't you come out from behind the
camera?"
"Nah, then
I would have to actually talk to people."
He smirks at me, as he turns the camera off and brings it down to his
side. "Seriously Roger, I'm worried
about you. You…"
"…Mark,
you're always worried about me, that is what you do best." I strum a chord and look up, "Don't, I'm
fine."
"If you are
so fine, then why did you say that?"
"To piss
you off?" He sits down next to me,
waiting for a real answer. "I don't
know why I said it, honestly. I really
have no desire, though sometimes the need is still there." He looks at me with a panicked
expression. "I won't, don't worry. After Mimi and April, I have no desire to go
near the stuff." He nods at he rewinds
his film. Mimi and I broke up for good a few months ago. That is, unless of course, she decides to
stop using.
"You can't
scare me like anymore, ok? I don't
think I could go through it again."
"I know,
Mark, I'm sorry. Is your arm ok?"
"Yeah, it's
fine, let's just get back to work." He
goes back to his camera and I pick up my guitar. I'm not really concentrating on what I am doing but thinking
about things. I really appreciate Mark
now, more that I ever did before. I am
sure when I was using, he was feeling just as helpless as I did with Mimi. Watching someone you care about destroy
themselves is frustrating and exhausting and makes you feel powerless. Mark is stronger than I ever gave him credit
for, because he never let me see him hurting, though I know he did. He allowed me to make the decision to get
clean on my own, offering no ultimatum, but instead a decision. After April died, he told me he would be
there for me whenever I needed him, but I couldn't go near him again when I was
high. The way he said it though, it
didn't seem like 'me or the drugs' but more 'I'll be here when you are
ready.'
"Hey Roger,
you want to see some footage I got the other day?" Mark is setting up the projector and turning off the lights, not
leaving me much of a choice. "I just
cut it together this morning, just some people in the park, a little of you, I
don't know if I'm happy with it or not."
He turns the projector on, and I sit with my guitar on my lap watching
the images flash against the wall. The
film work isn't his best, seems a little shaky and out of focus. He starts going on about how he was trying a
new technique; closing his eyes and just letting the camera take in what it
would. The frame focuses in and out,
and suddenly an image grabs my attention.
"Mark, hold
up, stop the film for a second." He does and rewinds it a bit. Again the image goes by too quick to make it
out for sure. "That's Mimi, walking
by." I say it matter of fact. I could recognize her even on an
out-of-focus shaky film. Mark doesn't
believe me and rewinds and watches again.
"Wow, how
did I miss her?" Mark says, stopping
the reel so it is frozen on the still of her.
He looks at me and sees me staring at the image and shuts off the
film. "Roger, I'm sorry, I didn't even
realize she was there. Too busy closing
my eyes I guess."
"It's fine,
Mark, really." I put the guitar down
and get off the table. "I mean, I know
she's out there somewhere, I don't know why I am so surprised." Still, seeing that, knowing that she is
close drives me crazy. I start pacing
the floor, not able to stop thinking and worrying about her.
"Just go,
Roger." Mark's voice interrupts
me. "You need to give it one last
shot."
"I… I
can't. She knows where to find me if
she wants help. At least I know she is
ok, right?"
"No, what
you know is that she is alive, my crappy film doesn't tell you if she is
ok." He walks over towards me, "I miss
her too."
He doesn't
have to say another word; I grab my jacket and head out the door.