"So you're in love," Morgan said. "No," Nick said. "I just like the way he eats a peach." Greg/Nick pre-slash COMPLETE!

Greg meets Nick out near Lake Mead after returning from a funeral in a city outside Vegas. Contains subtle Greg angst over his friend's death and his past with said friend. Nick gets caught up between anger and sympathy towards Greg, and there's a mix of jealousy in there that Nick refuses to admit to as well. It's a weird story; the summary is never going to make sense. SLASH

Nick and Greg email each other while Nick's in Hawaii for his bug convention. Both men are still reeling from the aftereffects of the Haskell murder. Chapter two sees them meeting face to face when Nick gets back from Hawaii. Kinda pre-slash, but it all depends on interpretation. Dedicated to the lovely CMAli!

"When I became a CSI I felt like I had to choose: science or... the other? Today, they're demolishing the slaughterhouse. Today, Greg chooses the other... and ghosts speak. Post-ep for Ghosts of the Past.

Alt. ending to 'Code Blue Plate Special'. Greg is attacked in the walk-in, and Nick takes him home while he recovers. Things get tense, and more important things almost, almost happen. Pre-slash, though it's not obvious. ONESHOT. It's a complete story, even if the ending seems like it could continue into another chapter.

Greg goes over to Nick's house the night of Allison Bailey's death. Comfort sex ensues, hence the M rating. Day One in the seven-day Sinatra Series following Greg's week after Allison's death.

Greg goes to look for Nick after he quits. Post-ep for Homecoming. Spoilers for For Gedda

His eyes are drawn to the soft skin, to his slow, gentle movement that could be intimate if only we allowed it to be. He is lost to me now, lost in my Christ-hips and the memory of their desperate bucking last night. He is only trying to make up for the trouble I've caused. He could be sleeping but instead he's watching me recover from a nightmare. He's doing me favours. Greg's POV

"Did she break you, Greg?" "No. Sex broke me. A long time ago." "Me too." - Greg tells Nick how he wants it to be, and Nick shows him.

Greg and Nick talk after the Oslo and Utoya right-wing terrorist attacks. ONE-SHOT

'He held Nick like he had never held any goddamn human being before, because they were still alive, for Christ's sake, and they were going to act like it.' - the story of how Nick and Greg find their way back to each other again.

He cries silently, as though he doesn't want to disturb the air with the man he has become. Post-ep for Fannysmackin' Written from Nick's POV.

Sequel to Quitting The Scene. A case involving Greg's old haunt during his clubbing days has him wondering whether he really wants the life he had made for himself, and if he even deserves it. Some Greg/Nick romance, mostly a Greg/Russell bonding fiction.

Greg leaned back against the foot of the bed, hands stuffed awkwardly into the pockets of his jeans. He chewed at his bottom lip, watching Nick, who sat cross-legged on the floor, head hanging low over the bundle in his lap. The baby. -ONE-SHOT.

After a terrible incident at a crime scene one night, Nick must help Greg stay on his feet. But, in the aftermath of that night, Nick realizes that he's the one who's falling. Now it's up to Greg to help him accept it. SLASH.

While on a case, Greg and Russell visit one of the clubs Greg used to frequent when he first moved to Vegas, and Russell learns a little bit about the young CSI's past.

Post-ep for CSI Down. Nick sees Greg's outburst in the interrogation room, and is jealous and upset. Is Greg attracted to Morgan? Nick really can't say-but Nick's questioning hurts Greg, and both men reach their limit.

There's a shootout at a crime scene, and even though Greg's the one who saves Nick for a change, he's still scared out of his mind, and doesn't know what he's thinking. If he's thinking at all.

'I must borrow every changing shape to find expression.'When Nick reads out TS Eliot's 'Portrait of a Lady' to Greg, they both realize just how much the poem relates to them. Will they ever really be able to find expression for the words they need to say?

Vartann and Greg talk after the events of 'Miss Willows Regrets'. Implied Greg/Nick, Catherine/Vartann. Post-ep for Miss Willows Regrets.

Greg's learned a lot of things in Vegas, from a lot of people. But he's learnt the most from Nick, and he's learned the most about love.

And we're caught up in the crossfire of heaven and hell, and we're searching for shelter. Lay your body down, lay your body down, lay your body down, next to mine. Greg/Nick Post 'In A Dark Dark House'.

Tiny drabble-ey post-ep for 'For Warrick'. A snippet of a conversation between Nick and Greg. Spoilers for 'For Warrick' and Fannysmackin'

Everything there is, everything there can be, is on these twisted, sweaty sheets, and quivering lips and this feeling of being completelytotallyabsolutely spent and not even caring. Nick/Greg SLASH. Spoilers for 'For Gedda'

In the middle of a hard shift, Nick and Greg take a break outside in the parking lot. Nick's upset, Greg's insecure and it's the coldest night of the year. They both know that Vegas is full of sin, unforgiving as hell, but it is worth toughing it out for?

Greg is sick of being in pain. Sad, slightly smutty post-ep for Fannysmackin' I need to stop writing so many post-eps for this episode. Grrr...

'What had this job made out of him? A killer? A liar? A sinner? One of the bad guys' After all that's happened, Greg questions his own intentions. Post-ep for In A Dark, Dark House.

Nick and Greg are tired of being alone, and are willing to give it one last shot. SLASH Nick/Greg Post-ep for Kiss Before Frying/

It's been four years since Greg's beating and the trial. When Nick finds a check addressed to Marla James at Greg house, he realizes that what happened that night is far from over. Its up to Nick to make sure that Greg gets over the guilt Nick/Greg SLASH

"I think I'm in love with you," whispered Greg, leaning in for a kiss. "I'm in love with Grissom," Sara breathed into his mouth. Greg/Sara/Grissom love triangle. Rated T for language.

He watched the waves caress the rocks on shore. Waves he could not stop. Waves he could not change. Closing his eyes he willed the world to stop, just for a second. The waves crashed on. Greg supposed he should too. Spoilers for season 10.

After Warrick’s death, Nick discovers a new side of Greg—wise, dependable and something else—something Nick is almost afraid of. PostFor Warrick. Nick/Greg friendship.

Greg needs desperately to start a new story. Nick/Greg. Post For Warrick.

If asked Stanley Tanner would say that Greg Sanders was a hero. An angel. His hero. His angel. Spoilers for Fannysmakin'

Greg listens to the tape Nick made in Grave Danger with unexpected results leading to uncertainty. Post Grave Danger. Spoilers up to Season 5. Nick/Greg friendship. Not your average Nick confesses his love for Greg on the tape. It has a twist to it.

A high profile case leads to the disappearance of two CSIs from right under the department’s nose. Greg/Riley...Rated for violence...

Greg is determined to fix his mistakes, and let go of the ones he can't. Greg/Riley. Post No Way Out. Rated for violence.

Rule 21# in the Thieving for Dummies: Thieves don't mug killers. Greg/Grissom friendship. Previously named Albert Schweitzer

Nick confronts Greg after Sara's abrupt departure. Greg/Sara friendship and Greg/Nick friendship. Rated for language.

Warrick died and the team's been falling apart. Ecklie hires Riley and they only drift further apart. But when Greg and Riley are injured, one critically, will the team learn to open up to each other and to the new CSI. Greg/Riley Nick/Greg friendship

An argument. A realization. An uncertainty. True love? Greg/Nick.

It takes two to make a stupid sexual mistake... Greg/Riley implied sex. Challenge from my sister Famous4it

We've already come to term with the fact that life is cruel. But, if God's cruel too, is there any hope for us? Post for Fannysmakin'