Eric, Nora, and adventures in "normal" sex.

Time between two friends before an indeterminately long separation. Postseries.

"You treat me as a woman, not as an idea." "And you treat me a woman and not a slavegirl whore." A chronicle of the changing relationship between Daenerys and Doreah, largely in the Red Waste.

Post-battle pillow talk of sorts between vampire siblings.

Daenerys and Doreah, locking eyes across rooms.

It's natural to be curious, Inara tells her. In-series, somewhat AU. M for batteries and lady times.

Bennett is on Topher's mind, Topher is on Bennett's. Great big bunches of regret and other negative emotions are felt on both ends.

Caroline just wants Bennett to relax and have fun like you're supposed to in college; Bennett's realizing she just wants Caroline, even if it's futile.

The time has come in their relationship for Mal and Inara to be honest with each other, no matter how difficult that seems. Post-BDM.

Simon and Kaylee's sharing their news with Mal turns into Mal and Kaylee having a sister-brother heart-to-heart. Post-BDM, S/K, implied M/I.

Pre-series; Wash and Zoe's relationship has certainly been progressing, and they're starting to pay it mind.

Some time's gone by, and Simon's got an important question to ask.

Zoe's got some news to share, and everyone's gonna take it a little differently. Post-BDM; established SK and MI.

Post-BDM, post... that, Simon and Kaylee realize they need to have a little chat with River.

Kaylee and Inara have missed having someone to tell gossip to, and they've got plenty to gossip about. Post-BDM; alluded to SK, MI

Bit of a drabble, Mellie contemplating suicide, 1x11 "Briar Rose."

L'il albatross is the first to notice, of course.

"They're a mess of tangled limbs, then, hands everywhere on each other's bodies, legs entwining." SK, the sweet smutty engine room encounter.

A bit of girl talk can make even the most terrifying of days better. Inseries, "Serenity" the episode.

After her accident, Bennett reflects on what her life has come to.

The night before Caroline's plan is due to be carried out in Tuscon, she finds she has to calm her accomplice down first. Caroline/Bennett.

Cause there had to be some fluff before that yummy engine room tryst. They're making up for lost time.

What's been building for so long finally comes to be, to their surprise.

One exploration of the events that led to young Ilse Neumann's abrupt departure from her small town and civilized life.

Ilse knows where Frau Bergman is leading her daughter, yet all she can do is stare – half praying Wendla sees her, half hoping she doesn’t. What could she really offer? Truth, salvation? Are those things synonymous? Warnings?

Post-BDM. The fine art of sexual tension played out in what would otherwise be just a friendly massage. Pre-M/I.

Kaylee misses Inara; River decides to fill in. Post-series, pre-BDM.

Post-series, pre-BDM. Mal helps his mechanic through a hard time.

Since Simon's been spending so much time in the infirmary lately, Kaylee decides to surprise him there. S/K established relationship, mature situations, etc. Post-BDM.

River is having a good day. Mal and the others find her version of fun a mite worrisome.

Life in the black, one sentence at a time.

There are some new vampires in town, but Buffy is having a hard time believing they're really any sort of threat; Drusilla wants to keep them for her own. A crack!crossover with Twilight.

"What's gotten into you, Anna?... You're... you're almost cynical today.'" Anna and Thea's musings on Wendla and her 'sickness.' Sort of goes with "The Letter."

"Her pale hands stay wrapped around the letter; her thumb idly caresses it..." Because everything that happens on stage deserves a more fleshed-out realization.

Martha in the aftermath of everything. rated for... the expected disturbing themes

It's almost like Thea and Ilse speak two different languages...

Anna watches her youth unravel.

For Ilse, a little nostalgia can be dangerous...