With this story, I'm challenging myself to write the whole "realization and first kiss" thing without the use of role-playing, costumes, or major trauma. It may end up being really, really boring and require the intervention of an evil twin …

Root does not stop. She does not give up. Never.

The first time she wakes up, she's barely conscious. Five times Shaw wakes up. Post 4x12 - If-Then-Else. (Part 1 of "The empirical nature of shifting conditions")

She said yes.

Jane cried then. Maura rose from her position on the floor, pressed a kiss to two fingers and pressed those fingers to the top of Jane's knee. Waited until Jane rose stiffly, scrubbed her face in the bathroom, changed into pajamas. Sat against the foot of the bed until Jane's breaths rose deep and even. Promised gently. Gently, gently gently to the quiet. Post-Hoyt Pre-1x01 PTSD.

ONESHOT, non-(romantic) Rizzles. Follow-up a few years down the road where Jane is killed in the line of duty, and Maura and Casey have a confrontation about Jane's young son.

The shift was so slow that they didn't see it coming.

She was the Queen of the Dead. A woman who ruled in the realm of mortality. Existing in the abyss where life and death met for one last time. Mature readers only please.

Fresh on the heels of the season two finale Rizzoli is trying to manage her confusing feelings for Maura and the case of a criminal from her past. Her hunt to stop him before he kills again takes her to Seattle, and straight into the sights of her ex.

One-shot. 100 days of Jane Rizzoli falling in love with Maura Isles. Extreme angst.

12 easy steps to your one true love.

Jane Rizzoli can't sleep. Maura finds out why.

An AU set in the Old West. Why? Because I want to know how a proper, aspiring female doctor would react to a driven, hard-as-nails woman on the range. They don't know it yet, but Maura's fiancee just met his match.

A solstice is when the sun stands still before moving again. That's what Bella Swan felt when she saw Alice Cullen. She was the sun and Alice was the Earth that stopped her. More summary inside.

"If I tell you what I'm thinking," Jane's voice rasped, curling like smoke between them. "We're gonna have trouble being friends." Two-shot.

While investigating two deaths in Boston's Symphony Hall, Jane unwittingly becomes the center of unwanted attention . . . .

An intriguing case prompts the exchange of tightly guarded fantasies.

An attempt at approaching Rizzles somewhat differently... Watching "Fried Green Tomatoes" makes Maura ponder to exactly what extent she and Jane resemble the movie's main characters. ONE SHOT, yet sort of two-fold.

After a bet with Frost, Jane and Maura climb into the trunk of a car. Things happens. - Based on tweets written by @JaneRizzoli on Dec 19, -11.

Giovanni's offer of a threesome meets with an odd reaction from Maura which takes Jane several weeks to really understand. Co-authored with ChapstickLez, our first effort together.

A tragic case leads to the reassignment of an officer to the Homicide Unit, which comes at the worst time as Jane tries to figure out a change in her feelings toward Maura. Complete.

R & I and Criminal Minds collide when a serial killer stalks women in Boston-How do our favorite ladies work with each other when they are targeted?-first Crossover-Chap 21 is up! Sequel done!Nominated for 2011 CM Profiler's Choice Best crossover

I was dissatisfied with the end of 2.10, here's reworking of the end events but also what the processing of their torture and near death would be for Jane/Maura.

Still on the run but no longer in moral danger, Karolina and Nico share a quiet moment together ... KarolinaNico, femslash