Cage makes them an offer they can't afford to refuse, and the result is a consequence Lexa never saw coming. Post-2x14. Title from "Get Home" by Bastille. Three parts.

"Laura," she whispers once, then a second time, but Laura just burrows deeper into the pillow. "Please," Laura mumbles, the syllable desperate and pleading, "I'm sorry…" (Even entirely normal nightmares can suck. Post-28. Title from "Last Hope" by Paramore. Originally posted on AO3.)

"She's kind of lost her playfulness over the years. Isn't it so funny," he murmurs, and you can feel his hot breath on your neck, "how she refused to let me have a little nibble?" (Will comes back for round two. Post-24. Laura/Carmilla/Danny. Title from "You Were a Kindness" by The National. Originally posted on AO3.)

Laura eyes the medical supplies laid out in front of her keyboard, and it's only once she decides there's no easy way Carmilla could kill her with a few bandages that she turns her chair toward Carmilla's waiting hands. (Post-22. Title from "Faded" by Barcelona. Originally posted on AO3.)

Carmilla doesn't open her eyes. "I spent seventy years trapped beneath the earth with the sounds of war as my only company. I'm now bound to a desk chair as profoundly violent explosions roar through the sky." She swallows and finally looks at Laura. "So yes, it's the storm." Takes place during episode 21. Title from "Lights and Sounds" by Yellowcard. Originally posted on AO3.

Laura's been sitting on Carmilla's bed staring thoughtfully into space since she told her the truth about Mama fifty-seven seconds ago, and despite her exhaustion due both to this week's less-than-ideal diet and today's surprisingly draining revelations, she still manages to arch an eyebrow. "Do you need a glass of water?" (Post-20 ficlet. OT3. Originally posted on AO3.)

"There is one other option," Carmilla says, her voice a bit lower and smoother than it's been, and Laura swallows. "One that wouldn't require me to leave the room." "And, um, what would that be?" Laura asks too tightly. "I think you already know the answer to that." (In which the blood stash runs out and a new option is evaluated. Structured as eps 20-22. Originally posted on AO3.)

It's when Laura mumbles something unintelligible about goldfish that Danny decides she is completely and utterly screwed. (Slightly alternate ending to Carmilla episode 11. Originally posted on AO3.)

It starts with Lauren accidentally hacking Amy's Netflix account and ends with her accidentally dying her hair pink. Everything after that? Probably not so accidental. (Amy/Lauren centric, but includes all main characters. Post-1x08. Uses 'just like the rain' headcanon. Five parts.)

They stare at each other long and hard and he's wobbling on his feet just enough for Amy to guess she's not the only one who's been driving up their BAC all night, and she'd laugh at the parallel if she weren't so fucking mad. She opens her mouth and stumbles forward a step but then there's a hand on her elbow. "Don't you fucking dare," Lauren snaps under her breath. 1x08 rewrite.

"I'm sorry, what?" Amy manages after a beat, because apparently this is some weird Groundhog-Day thing where people keep proposing bizarre things without batting an eyelash. (Amy/Jasmine followed by Amy/Lauren. Some smut; mostly banter. Title from "Light It Up" by OneRepublic. Un-beta'd and mildly cracky.)

The pills are in her hand and on the back of her tongue before she can recall putting the phone down—pure muscle memory at this point, like when she's three hours into feeding fabric through her sewing machine and no longer worries that she might prick her finger. Post-2x02. (Trigger warnings: mentions of drug use and suicide.)

You could've left it open-ended, could've not mentioned Finn at all, but you figure making it a yes-or-no question is easier on the both of you. / She's handed you the microphone, and for maybe the first time in your entire life, you want desperately to push it away. (An exploration of the "On My Way" hallway scene. Title from "Say Something" by A Great Big World).

All Quinn wants is to be invisible; she kind of gets her wish, because Rachel sees right through her. Post-3x01. Revamp of Pink. Title from the Demi Lovato song.

When Aria drags Spencer to see an all-girl punk band called The Skanks, she has no idea she'll pique the interest of their pink-haired guitarist, nor that her night will spiral so spectacularly. Three-part fic inspired by a friend's tweet: "Sometimes the guitarist in an all girl punk band gives you her neon sunglasses and then you call the night a success." Spencer/skank!Quinn.

Her gaze snaps back to Spencer. "You're back! Are you… better?" That depends, Spencer thinks: better can be a final destination, like successfully bleaching a stain out of a shirt, or it can mean not-as-bad, like gluing a broken plate back together and hoping no one notices the cracks. She wonders which one Aria means. (The missing scene after Hanna & Emily left. Spoilers for 4x22)

There is nothing smart and competitive people hate more than other smart and competitive people, and Spencer is about to find that out firsthand. Senior year plus Quinn Fabray equals the one problem she might just go crazy trying to solve. Fabrastings. Rated M for eventual language and femslash.

Her cell phone rings and she jumps so violently that the pills fall to her comforter. She clenches her jaw hard and glances at the caller ID, and she only picks up because Aria's name is on the screen. (Re-write of the 4x21 scene where Spencer takes the pills.)

Aria tells Spencer she believes her, and she's not just talking about the pills. Post-4x20.

It's a few weeks post-Talk and Quinn's got nothing to show for it, too scared of being in over her head to officially make a move on Rachel. What will it take to get her to understand her own feelings? A night out at a gay bar, perhaps. / Fic Fundraiser fill for Amy / sequel to "don't be scared if you know"

"Y'know, with all that 'A' crap you've told me about, I can't believe you're scared of a little bit of weed." In which Quinn convinces Spencer to relax, and Spencer convinces Quinn to not give a damn about astronomy. (Titled after the Fall Out Boy song / affectionately nicknamed Fabakestings.)

She takes a step, and a jolt of pain rockets through her left leg. Her knees buckle and she lets out a grunt of pain, and as the sounds of the hallway fade into silence, they're replaced with soft, steady beeps.

Post-finale scenes for Cosima, Sarah, and Alison. Cosima/Delphine, Sarah/Paul. Fluffy angst, then slightly less fluffy angst, then angsty angst.

Cosima joins Sarah, Alison, and Felix at his apartment after her confrontation with Delphine. Sass and alcohol ensue. Takes place sometime during episode nine.

Most of all, she hates that Spencer hates people who pretend to be someone they're not. Because even though Quinn isn't sneaking around in a black hoodie or sending Spencer anonymous texts, there's still so much about herself she hasn't told her. Quinn-centric drabble.

Spencer's mom signs her up for private sessions with Dr. Sullivan, and she finds herself fascinated by the pink-haired, cigarette-smoking girl whose appointments are right before hers. Post-season-three-finale Spencer and early-season-three Quinn. Uses "no more straight lines" headcanon. Fabrastings.

His eyes change, like he can't believe what he's seeing in front of him, and she wonders if it's the same face she made in the kitchen on their anniversary. [Partial rewrite of the season three finale. ]

Quinn tells Rachel she slept with Santana. Angst and fluff. Belated birthday fic for Dak.

Gwen has a cold; Peter has a lot of tissues. Sick!fic written for ProfessorSpork.

When Peter takes away his hands, she finds a lumpy mound of green and blue frosting sitting on the table in front of her. Birthday ficlet for ProfessorSpork.

"Henry was my person. And now he's dead and I don't have a person anymore." "Uh, correction. You have me." "I do?" "Well, yeah." Cristina goes to Teddy's apartment, because that's what you do when you're someone's person. Post-8x10. Oneshot.

Quinn starts senior year with pink hair, black clothes, a nasty smoking habit, and a hatred of Rachel Berry. But what happens when Rachel is the only person who sees through her new attitude? And what if she doesn't really hate Rachel at all? Post 3x01.

"Words are clever / hands are better / so let's put them together / do you want what I got?" The three times Spencer and Quinn don't have time for each other's bullshit.

"She meant what she said, about Rachel being the shiniest star of all of them. But sometimes she thinks about the sun and how if it ever burned out it would still be visible for eight minutes, and she wonders if all she's seeing when she looks at Rachel is those last 480 seconds." On My Way ficlet based on "Little Lion Man" by Mumford & Sons.

"'It's okay,' she says softly, 'I won't,' and it's the biggest lie she's ever told, because it's not okay and she's not okay and this wedding is not okay. Nothing is okay." Takes place directly after the bridesmaids scene. Oneshot.

She's not very good at masking her feelings, and she knows this, too. She's not good at not glaring at their hand-holding, at not cringing when they say stuff like "my husband" and "my wife," and she's especially not good at not taking most of this out on Callie. 3x18 headcanon. Note: I haven't seen anything past this episode so please don't spoil me in reviews.

Her name is right before Spencer's on the attendance sheet, and that's the first thing that bothers her about Quinn Fabray. Fabrastings femslash. Oneshot.

On the night before graduation, Rachel gets a visit from somebody she never expected. Very, very loosely based on A Christmas Carol. Faberry. Oneshot.

Quinn gets slushied on her first day in the wheelchair. Post hiatus oneshot.

It takes Quinn about five seconds of being conscious for her to decide that this pain, this all enveloping agony that no part of her body seems to be safe from, is definitely worse than child birth. Post 3x14 hospital oneshot.

"I'm not mad at you." Rachel sniffs and attempts a weak smile. "You can still punch me in the face if you want." Faberry hospital oneshot.

Rachel hasn't said a word since she heard the news. After three days of sitting at an unconscious Quinn's bedside, she finally finds her voice again. Faberry hospital scene. Oneshot. Post-3x14.

"Rachel!" The voice surprises her; her name comes out as a sob, and it's female, and it sounds an awfully lot like Quinn Fabray's. School shooting. Faberry. Oneshot.

Quinn should have learned to expect the unexpected by now. Minor spoilers for 2x18. Lucy Caboosey stuff. Oneshot.

Quinn asks Shelby for five minutes alone with Beth. Oneshot.

My version of what happened during Bellatrix and Hermione's girl to girl conversation. Sticks mostly to the movie, with a few tweaks here and there.

The first thing he saw was Ray Donald Swan on top of his rookie. The second thing he saw was McNally not moving. Slight rewrite of 1.10. Sam/Andy, because let's be honest, they are freaking adorable.

I wrote this after I saw the first preview for "Fight the Power." The story is loosely based on that episode, but with more to it. Jane centric, multiple perspectives. T for language and violence.

...And the tears come streaming down your face/when you lose something you can't replace..." A slower, more in-depth version of Darcy's story. Eventual JohnnyxDarcy. References to Standing in the Dark, Live to Tell, and the Red Pines episode. R&R.

What I wish had happened at the end of "The Grandfather" when Chuck went to Blair's house. Totally ChuckxBlair. Chuck's point of view. UPDATE: New extended ending posted as Chapter 2. Please review!

Lucy shows up at Carter's house one night, and he isn't prepared for what she has to say. Oneshot.

She just couldn't take it anymore. Jane/Darcy oneshot. Explanation inside. References to "Standing in the Dark".

Ever wish Paige had stayed in the room after the spectacular, historymaking, PaigeSOloved it Lexicon of Love kiss? Me too.