Future fluff fic. Post-epilogue outtake from "The Lengths He Would Go" universe. Oneshot. A bit Chuck-centric. C/B.

The Marquess of Dearne, Chuck Bass, is intriguing yet seemingly unavailable. Lady Blair is fascinated, but can she capture his interest and win his love? Oneshot - Historical A/U - Regency England, Chuck and Blair. Birthday fic for Noirreigne.

It sounds corny, even in his head, but he thinks maybe this is the first time in months she's actually seen *him*, Noah. SPOILERS: 1x20

Conversations overheard of some intimate moments between Blair and Chuck. Fluffy/Hot CB.

He always retreats back to what he knows, and everything he knows has resided in the Waldorf penthouse, at one time or another. CB, Eleanor, Bart dynamic with a bit of Misty thrown in.

Except you enthrall me, never shall be free. Blair and Chuck Future Fic after 2x17.

After 19yrs of marriage, Chuck and Blair are bitter and angry. So for their 20th wedding anniversary their daughter, Mia, sets out to get them the perfect gift: each other. COMPLETE!

Seeing is believing. But sight isn't always truth.

When one door closes, another one opens... with a bit of a push. Life, love and complications. Sequel to Reparations. HPDM slash. COMPLETED.

An evening alone sees Chuck, Blair, and Eric in an herbal haze-- new things are tried, some things broken, some things stolen... and summer is underway.

Chuck/Blair. Carter/Blair. Loving as much as he loved her—-that should be illegal. It only made them victims; sometimes it made them criminals.

Chuck seeks helps in figuring out his Blair situation. "His knock was soft, and he slowly pushed the door open, mentally preparing himself for what he was going to do. “Hey,” he muttered, as a face looked up at him in surprise from behind the desk."

Harry is about to discover that the steepest learning curve comes after Healer training, and that second chances can be found in unexpected places. HPDM pre-slash/slash. Now completed.

Once we were friends, the best of friends. We were the Non-Judging Breakfast Club. He lay down his life for us, but it turns out, this isn’t just his story. This is the story of all of us.

Chuck&Blair - Serena makes a discovery. Same style as Her Real Smile and She's Happy Again.

Eric reaches down taking the headband from Chuck's grasp. Chuck reaches out his hand glaring, “Give it back.” "Get it back yourself Chuck." They both knew they weren't really talking about the headbands, but the girl who wore them. C/B One-Shot

One-shot set in the future. Chuck and Blair haven't spoken in months, but that changes the night Nate proposes to her. Warning: Angsty. Rated T

Two shot. Chuck and Blair share two dark and intimate moments together a year apart right after Nate, and later Jack come between them. But is each third party responsible for Chuck and Blair's problems or do they shatter and break themselves?

A series of CB one-shots. "Depending on her mood—whether she was angry, annoyed, jealous, h*rny, happy, or content—Blair Waldorf had a different way of saying Chuck's name. And he loved them all equally." Rated T for now.

Post the elevator scene 2x15 and spoilers for 2x17. Chuck wakes up with no memory of the night before, so he calls Blair. C/B angst.

Since his father was hardly ever around, Cary Grant taught him how to stand and talk, Humphrey Bogart taught him how to smoke and be worldly, and Marlon Brando taught him how to smirk. Chuck/Blair.

Chuck looks at Blair's damned Prince Charming and then he kicks Nate's 1,500 Dollar shoes and calls him a f-ing idiot." Three Chuck and Nate drabbles; setting: Shepherd Wedding, Victor/Victrola, Roman Holiday

Sequel to "Coffee & Bagels." Also takes place during 1x17. “Not so fast Bass. The clothes stay on tonight. We’re here to help Serena, remember?”

It’s been 2 weeks since that dreadful elevator scene of 2.15, and Chuck has not yet realized that he is supposed to fight for her. CB.

Chuck/Blair. Once they have everything, Blair marvels and Chuck rebels at the thin parallels they slowly discover about their life and that of Bart and Misty Bass. Third part of Trilogy - Against the Dying of the Light, I Kiss Happiness into Your Lips

Set after 2.5, Blair goes to confront Chuck about his role in her dethroning. She's angry, he's stubborn, she's broken, and he's clueless.

Blair&Chuck figure things out, from Serena's point of view. Just a cute little story.

Serena's point of view, just a cute little one-shot

Sequel to "Goodnight Blair, Goodnight Chuck," but can be read as a stand-alone as well. Takes place during 1x17. "Only Chuck Bass could turn a mundane task like making coffee into sensual experience." Rated T

Chuck/Blair. He came to her bedroom for comfort, because he knew if there was one place where he would not question the love, it was within her embrace.

Post 2x13 oneshot. Non-Judging Breakfast club; N/S and C/B. "I look at Blair and Chuck. And that's the weirdest couple ever, right? But they work so well because all they want is each other. Is that stupid? To want someone to love everything about you?"

Set during ‘Pret-a-poor-Jenny’, after the roof conversation. Chuck muses over Dan’s admission and the dynamic between him and Blair before going to her house.

As he sits alone in 1812, he realizes everyone else is at fault for all of this. CB.

Chuck and Blair can't look eachother in the eye because this always happens. Drabble-y Chuck/Blair.

If these walls could speak, they'd tell you many things. They'd tell you of a man and a boy; of a father and son; a family. They'd tell you of love.

His last thoughts and feelings about the woman he loves when he wrote the note... And his silent plea for her to save his soul before he walked out that door. 2.13 Chuck&Blair. Oneshot

Just a short one shot explaining how Chuck got from burning that paper in his fathers study to sitting dejectedly on Blair's bed longing for solace.

C/B fluff, drunk Chuck. Blair POV as she takes care of her bf early in the morning.