HIATUS FOR THE TIME BEING BECAUSE OF COLLEGE.

Seorang Hermione Granger-centric, Haruno Sakura-centric, dan Uchiha Sarada-centric. Semi-fujoshi. MultiSaku shipper.

Ultimate OTPs: DraMione (Draco dan Hermione), SasuSaku (Sasuke dan Sakura), InoSara (Inojin dan Sarada).

Sangat senang dengan crackships apalagi kalau karakter utamanya adalah Hermione Granger, Haruno Sakura, atau Uchiha Sarada.

Biasa nangkring di fandom Naruto dan Vocaloid. Lebih sering di fandom English.

Mulai menulis sejak 2011 dan sampai sekarang tulisan belum juga membaik (Haha!)

Kalau mau kenal saya bisa dihubungi di:

Twitter: @satcendikia

FB: facebook.com/satyanicendikia

Status Fanfiksi MultiChap

Wizard Love

Fandom: Harry Potter

Summary: Apa jadinya ketika Draco Malfoy dan Hermione Granger menjadi selebriti Hollywood setelah lulus dari Hogwarts? Apalagi Malfoy, yang dulu terkenal dengan kebenciannya dengan segala hal tentang Muggle / UNDERGOING REPAIR.

Status: Hiatus / Re-edited

The Bad Lady

Fandom: The Mortal Instruments

Summary: Kehidupan Cara yang tadinya normal-normal saja mendadak berubah seratus delapan puluh derajat setelah ia bermimpi aneh dan didatangi oleh seorang laki-laki dengan tato di sekujur tubuhnya.

Status: Hiatus

Throuple

Fandom: Naruto

Summary: It never occurred to both of Sakura and Shikamaru that someday they will be in a three-way relationship. And with their own genders, too. — ShikaSaku's friendship, slight TemaSakuTen and mention of ShikaNejiShino.

Status: In-Progress

Kintsukuroi

Fandom: Naruto

Summary: Ditinggalkan oleh anggota timnya adalah hal terburuk yang pernah Sakura tahu. Ia berpikir bahwa alasan mereka meninggalkannya dikarenakan dirinya terlalu lemah. Maka ia meminta sesuatu pada Tsunade untuk membuatnya lebih kuat. Yang membuatnya terkejut adalah orang-orang yang terlibat dengannya membuatnya tersadar akan sesuatu. / Sakura-centric

Status: In-Progress

Forelsket

Fandom: Naruto

Summary: Semua orang berekspektasi bahwa Uchiha Sarada akan berakhir bersama anak laki-laki Nanadaime, Uzumaki Boruto. Namun yang Sarada tahu, selama dia hidup, hanya ada dua laki-laki yang sangat dekat dengannya. Setidaknya itu yang dia tahu, sampai dirinya lulus dari akademi dan mengikuti ujian chuunin. [MultiSara (Shika-Ino-Shinki-Mitsu/Sara) Sarada-centric]

Status: In-Progress

This is in defence of crackships:

Invent your own mythology or be slave to another man's. - W. Blake

I write on behalf of my colleagues in contumacy, my brothers and sisters in arms, the producers (and protectors) of the cause; the writers of crack. Here is our manifesto.

We refuse to be straight-jacketed by the frivolous constraints of “reason” and “sense”. Logic has no place in our stories or in our heads. We are iconoclasts: we determinedly avoid pairings that are conventional, commonplace or trite. We exult in the new and the bizarre, the eccentric, the grotesque and, yes we admit it, the perverse.

We rejoice when we search for a pairing and there are no results: we take the Road Less Travelled and often the Road Nonexistent and we forge new paths into the wilderness of the improbable and the absurd. (No plotline is too farfetched, no scenario too forced, no back-story too implausible for us, trailblazers in irrationality.)

We are the pioneers: we take the cracky first step. We open the door. Come back tomorrow, there will be twenty more.

We are also the cursed. We are plagued with reviews like “does she even know he exists?” and “they haven’t met” and “but he died” and “DISGUSTING,” and the worst part is they are usually right. We admit that the truth hurts. (But occasionally we get some love and when we do we know that one more innocent has succumbed and so we type on.)

We will have paired every single female with every single male before this day is through, and just when you think it can’t get any worse we will pair every male with every male and every female with every female and we will make love triangles and then we will make love quadrangles and love parallelograms and love hexagons. (Then we will toss in a few inanimate objects and house pets to keep things fresh.)

No character is safe. We revive the dead. We straighten the gays and bend the straights, age the young and rejuvenate the aged, turn males into females and females into males. We control time and we control physics and we studiously disregard temporal coherence and continuity. Chronology is malleable in our hands and canon timelines need not apply. Alternative universes are at our beck and call and we are not afraid to use them.

We challenge you to read us.

We might make you cry.

We might make you like it.

We are the writers of crack.

(We also spontaneously write grandiose declarations in our profiles when we were supposed to be fixing a typo and enjoy the use of pluralis majestatis in all its schizophrenic radiance.)